Photonically structured colors, characterized by high resolution and dynamic responsiveness, hold promising prospects in the field of information security. However, conventional patterning methods are often limited by high equipment costs and monotonous color outputs, which restrict their widespread adoption. To address these issues, this paper proposes a novel multi-color patterning method based on light-induced chemical crosslinking. By introducing light-initiated crosslinking molecules into anti-opal hydrogels, we developed a film that can be further regulated by photo-curing, enabling a “film formation first, then patterning” approach. The structural color hydrogels created using this method can display multi-color patterns, with a minimum line width of 15 μm, significantly enhancing their information-carrying capacity. Moreover, ultraviolet radiation can increase the degree of cross-linking, thereby inhibiting swelling behavior, enhancing tensile strength, reducing elongation at break, and causing the color of the inverse opal structure to shift toward blue or disappear. With inherent responsiveness to stress, temperature, and solvents, this approach enables dynamic information display and has excellent stability (able to cycle stably for more than 100 times). This work introduces a new method for patterning stimulus-responsive structural colors and opens up new possibilities for their use in applications such as ink-free printing, information encryption, and anti-counterfeiting.

In many types of rooms, sound reflecting off multiple walls muddies conversation, making it harder to understand. So, to control how sound travels in a room, researchers developed a patterns wall to improve the listening experience of deaf and hard-of-hearing individuals. They first conducted acoustic simulations to study how different surface textures influenced speech clarity. Then they designed and 3D-printed “tiles” that can be linked together to fit different room shapes and sizes. Po-Chun Chou will present these designs as part of the 190th ASA Meeting.

Physical task stress affects the coordination between breathing and speaking, and vocal pitch, intensity, and pause structure are all sensitive to changes in breathing and effort. Pitch and intensity both increase, while intensity also becomes less stable and speech rate slows down. Understanding exactly how physical stress causes changes to vocal patterns can help train speech recognition systems, which often struggle with speech that differs from the average. Zahra Omidi will present her work on this as part of the 190th ASA Meeting.

Using a combination of acoustic analyses and listener studies, Jeanne Brown challenges the assumption that vocal fry is a hallmark of young women’s speech. By asking listeners to rate voices’ creakiness, she found that the primary marker for whether a voice sounded creaky was low pitch, not gender. In fact, men and older speakers exhibit more creak than young women, a massive disconnect between evidence and popular belief. Brown will present her work on rethinking vocal fry as part of the 190th ASA Meeting.

Amartya Bhattacharya loves the marimba but was motivated to find ways to make the instrument more accessible to all by finding a more cost-effective option. He first identified materials, both wooden and polymer-based, that could serve as replacements for Honduran rosewood for the marimba bars. Then he analyzed the density, loss factor, and Young’s modulus — all of which come together to determine the sound of the material. Hickory wood was the best alternative and significantly less expensive than rosewood.